These are essentially color films, but instead of three layers with filtration and different dye couplers, these films have a single layer of sensitive emultion, no filter layer(s), and dye couplers balance to produce a black image (by producing all three dyes in visually equal amounts). The only other way to get a B&W negative with a color process is to use a so-called "chromogenic" B&W film, like Ilford XP2 Super or the Kodak equivalent. With no dye couplers in your B&W film, you won't get a dye cloud image, but if you don't bleach the silver, you'll still get a silver negative images, just like what you'd get in D-76 or Rodinal. The chemicals I use for developing colour film is the 2. This is B&W film that you can develop in C41 chemicals. The negatives are processed in C-41 film, which is used for color chemistry, but it yields a black and white. It also includes C41 black and white film, Ilford XP2 Super.
It’s these clouds that provide the colour in the negative. Any color developer will produce a silver image in any conventional film - but standard color processes bleach away the silver to leave only the color dye clouds that form the final (either positive or negative) color image. ILFORD XP2 Super is a C41 black and white film. Colour film is different from black and white film in that the emulsion side has dye coupler layers, which interact with the C41 developer to form dye clouds (that’s a bit of a simplified explanation, but you get the idea). There's one "color" process that might have produced an image like the one shown (though it appears the negative was "distressed" in some manner as well): that's developing with any of the three developers, C-41, E-6 First Developer, or E-6 Color Developer, then stopping and fixing with non-bleaching fixer (like conventional B&W fixer or C-41 fixer, not blix), without going through the bleaching step (often combined with fixing in home color developing kits). Stabilize with "stabilizer" (whatever that is and does).Fix to remove all the remaining silver leaving the dye image that was coupled to the silver in the second (colour) development.
A 35mm black and white film, but not a regular one. I am now going to introduce you to the Ilford XP2 Super 400. This film is processed in C41 as any other color negative film. At this point, you are developing all the remaining silver that has not been bleached. Black and White in C41 Lomography I am now going to introduce you to the Ilford XP2 Super 400. You have already removed the negative image.
C41 BLACK AND WHITE FILM ISO
XP2 SUPER is also special in that you can shoot at different speeds from ISO 50 to 800 on the same roll of film and process as standard C41.Developing a Black & White film as colour film will leave a dye image rather than a metallic silver one. This makes it the best choice for photographers who want to shoot film yet want the convenience of being able to get it processed on the high street. However, the key differentiator of this film is that while it is a true black and white film, it can be processed in C41 type processing chemicals alongside colour negative films. This makes it an excellent choice for scanning as well as enlargement prints. XP2 SUPER also provides enhanced negative contrast for optimum black & white print quality.
It has a particularly wide exposure latitude and delivers excellent results, including well-defined highlights and shadows, even in unpredictable lighting or high-contrast scenes where there can be wide-ranging subject brightness. It is extremely versatile to use making it an excellent all-rounder to have in your camera. ILFORD XP2 SUPER is a fast, sharp, black & white film with fine grain and a wide tonal range. 35mm, 120 Roll and Single Use Cameras available.Wide exposure latitude and well defined highlights.Action Cameras and Smartphone Accessoriesġ20 roll film for medium format cameras ISO 400, fine grain, highly versatile black & white film that can be processed on the high street (in C41 chemistry).
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